Tom Morello

Thomas Baptiste "Tom" Morello was born in New York City May 30th, 1964, and grew up in Libertyville, IL. His mother, Mary Morello, is the founder of Parents for Rock and Rap, an anti-censorship organization. His father was a guerilla in the Mau-Mau uprising that freed Kenya from British rule. He didn't meet his father until later in life, but his upbringing with his mother was quite full, even as far as political awareness. His political education, as he says, "began the first minute you have brown skin and walk onto an inter-racial playground". He went to pre-school in Libertyville and a little white girl kept calling him "nigger" and other racist remarks; although he didn't know what it meant, when he told his mother about it, she showed him information on Malcolm X, and talked with him about the racial conflicts in America.


The next day, the girl said the same things again, and he replied, "shuttup! whitey!", and then punched her in the face. He lived in Libertyville most of his life, and was in the high school drama club, played Dungeons and Dragons, and was into Marxist politics. It also appears that he was somewhat of a sci-fi geek, due some references that have appeared throughout the years, such as the title of the Lock Up album. It was based on a Ray Bradbury novel, "Something Wicked This Way Comes". He was in a band with Adam Jones from Tool while he was in high school called 'Electric Sheep'. This was taken from the title of Philip K.Dick's novel 'Do Androids Dream of Electric Sheep?' which was later filmed as the movie 'Blade Runner'. Finally, 'Radio Free L.A.' was and adaption of the title of another Dick novel, 'Radio Free Albermuth'. Dick was a writer who often expressed disillusionment with the established order of the Universe, and his often subversive works are quite brilliant.

His first experience with guitar was when he heard a KISS song that he wanted to play. He paid some guy $5 to teach him how to play, but instead, the first thing the man taught him was to tune the guitar. He came back the next week, coughed up another $5, and was taught the C scale. That was it for him, he didn't touch a guitar for years after. Then when he heard a song by the Sex Pistols, he thought that he might be able to channel his feelings and political ideas through a guitar too, so he learned how to play. He went to Harvard University, where he majored in social studies. This is when he practiced obsessively, at least 8 hours a day on the guitar. After his Harvard friends all left to become doctors and lawyers, Tom went to L.A, because that's where everyone said that you had to go to form a rock band.

Going there with no connections whatsoever but a Harvard Alumni phone directory, he started his rock career, and he played with several bands, which were not nearly as successful as Rage. He started teaching guitar lessons to make ends meet, and finally took a job as a California senator's secretary. He was fired when a woman called complaining that "colored people" were moving into her neighborhood, he told her that maybe the problem wasn't them, but the fact that she was racist. He then formed a punk rock band named "Lockup" doing backing vocals which released an album on Geffen records. He played with Brad Wilk, they saw Zack freestyling, they all got together, and, well, Read RATM Story.


Tom Morello Guitar :

• Mongrel Custom "Arm The Homeless" - Morello's most famous guitar, and his main guitar for standard tuning since 1991.
• Fender Stratocaster "Soul Power" - Originally made as a Factory Special Run for Guitar Center, Morello found it on the rack and really liked the look of it.
• Fender Telecaster, "Sendero Luminoso" - A black stock 1982 Standard Telecaster, his main guitar for use in drop-D in Rage Against the Machine, Audioslave and Street Sweeper Social Club.
• Fender telecaster 2. Black with white binding, mirror pickguard and toggle switch on the lower horn. Tom used this guitar when he played with Fistful of mercy on Conan.
• Ibanez Artstar Hollowbody (Custom) - Made especially for Morello. Based on an old Vox Ultrasonic, it contains several on-board effects (wah, echo, dist, treble/bass boost) and is painted red and black paint.
• Goya Rangemaster de Greco, "St. George Creamy" - Bought by Morello at a Canadian pawnshop for $60. It was modified with a Seymour Duncan hotrails pickup in the bridge position.
• Ibanez Talman (Custom) - Has 3 single coil "lipstick" pickups, an Ibanez Lo-Pro Edge tremolo, and a killswitch.
• Gibson EDS-1275 (Double Neck SG) - Tuned to drop-D on the 6-string neck, and only seen used live on "The Ghost of Tom Joad".
• Ovation Breadwinner - Tuned to standard E, used for "Ashes in the Fall" for Rage Against the Machine.
• Gibson "Budweiser" Les Paul - Used during the recording of Audioslave's third album.
• Gibson Les Paul Standard, #1 - orange burst finish.
• James Trussart Steelcaster - A Telecaster style guitar with a body made in steel, finished with a red star graphic over a holey front.
• Ibanez roadstar- Tom's backup guitar for arm the homeless. It has all the same specs as arm the homeless (light blue finish, edge trem, toggle switch on the bottom horn, emg pickups etc).
• "Whatever It Takes" guitar - A custom Ibanez Galvador classical acoustic guitar he uses during concerts as The Nightwatchman.
• Tanglewood Acoustic Guitar.

Effects and amplifiers :

• Pedalboard
• DigiTech Whammy WH-1
• Dunlop Cry Baby (from the mid 80's)
• Boss DD-2 Digital Delay
• Boss TR-2 Tremolo
• DOD FX40b Equalizer
• Ibanez DFL Flanger
• MXR Phase 90 (Replaced the Ibanez Flanger for Audioslave)
• Amplification
• Marshall JCM800 2205 50-watt head (with the Marshall logo blocked out to avoid endorsment proposals)
• Peavey 4x12 Cabinet

See Also :

Audioslave - The Story

Audioslave - Discography

Audioslave - All Lyric Song